The Basement Tapes - Bob Dylan & The Band (1975)
In 1966 Bob Dylan broke the momentum of his career when he was involved in a motorcycle and allegedly broke his neck. He spent most of the next year recuperating in his home at Big Pink in Woodstock, New York and recording dozens of demos with his backing band, which was rapidly developing from The Hawks into The Band. At the same time, The Band was recording thier debut album, Music From Big Pink, regarded as one of the classics of 1968.
Many of these demos were compiled on a bootleg, perhaps the first ever bootleg: Great White.
A few years later in 1975, in order to beat the bootleggers, an album of the basement session called, appropriately enough, The Basement Tapes was compiled and released, along with eight songs by The Band, which were in fact recorded later but which were mixed in such a way that they sounded as if they were recorded at the same time and place as the Dylan songs. Including the songs by The Band was probably dishonest and misleading, and The Basement Tapes has come under a lot of criticism for this, along withh the fact that the compilers of the compilation (namely The Band's Robbie Robertson) left out some choice Dylan songs ("I Shall Be Released, "The Mighty Quinn", and others) in favor of The Band's songs and making it seem like the sessions were a meeting of equals, which was not strictly true.
With the backstory out of the way, let's get to the music: this was, in my opinioin, Bobby D.'s last great gasp of unbridled genius creativity. He would never write so many great songs in such a short amount of time as he did here, and as he had been doing for the last five or six years. While he still has dozens of great songs and a few great albums from later in his career, this represents both the end of his peak genius period and the beginning of his laid-back country rock phase.
The songs themselves have little to do with the psychedelic country-blues of '66's Blonde On Blonde: they share more in feel with late '67's folkish John Wesley Harding; but there's a genuine sense of fun that runs through The Basement Tapes that's reflected in the playful lyrics, the singing and the playng by The Band, which is generally stellar, by the way: man, this album just feels like a real roots rock album, it feels really really good. Relaxed, laid back as the songs themselves, and loose...but yet...so right on.
There are a lot of throwaway numbers, but they are all worth hearing, there's some sort of mysterious gravitas to it all and it's it's stll packed with, in my opinion, some of Dylan's best songs: "Crash on the Levee (Down in the Flood)", "You Ain't Goin' Nowhere", "Nothing Was Delivered" and two co-writes with Rick Danko, "This Wheel's On Fire", and "Tears Of Rage" are all five star classics: to think that he recorded the alltimer "I Shall Be Released" (my all-time favorite Dylan song at this time blows my mind.)
There are some deluxe archival releases which include a lot more songs from these sessions, which I've never heard: I'm sure there are some gems to be found in there, but I'm sure there's also some hazy and directionless folk covers and jams and the like, and I'm not sure I have the will to sample them all and curate the best from them, so I haven't bought that release.
I do wish that The Band's songs had been left off in favor of more Dylan songs, but to be clear I enjoy all of them quite a lot so this album is still a classic.
5/5
Below is "This Wheel's On Fire", one of the songs Dylan wrote with Rick Danko. My favorite version is actually The Byrds' version from 1968, but this one is good, too.
Spotify Linkhttps://open.spotify.com/album/6BOlD6UGUg45IsUXPSplkY?si=gIWWCwZdSUC_idHre6kBGQ
This one is mostly in mono or mono-ish sound, with lots of hiss, and the sound pretty much defines "muddy basement demo": but that was probably intentional and actually adds to the atmosphere. I love the sound, I just have an standard CD master made in the early 90s.
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